Saturday, April 26, 2014 at 10:00am
Note: Auditions will not be
held at the Playhouse. They will be held in Fellowship Hall at
Fredericka Manor, 183 Third Avenue, Chula Vista, CA.
Fredericka Manor is
located two blocks North of the Playhouse.
book, music & lyrics by Dennis
directed by Jessica Brandon
assistant direction by Jaime Tuttle
produced by Nick Williams
PLEASE NOTE: DUE TO ADULT
THEMES AND LANGUAGE, ALL THOSE AUDITIONING *MUST* BE OVER 18 YEARS
This licensed San Diego premiere of
Disenchanted will be produced by OnStage Playhouse.
The show runs Thursdays through Sundays June 27-August 2, 2014.
Audition call time is 10:00am for all auditioners. There will be
a 30 minute check-in period followed by open call auditions. All
auditioners are asked to stay for a dance call. If you tap, please
bring your tap shoes with you.
If you are unable to make this call time, please email
email@example.com and we will work out alternate
Please prepare a one minute Disney song. We urge you think outside of
the box on this one! An accompanist will be available, or you may
bring backing tracks. No a cappella singing, please.
Callbacks will be by invitation only on Sunday, April 27
beginning at 6 pm.
All roles are open for women of all ages, shapes, sizes and
ethnicities. There are a total of six (6) actresses needed, with
roles broken down as follows:
ACTRESS 1 - Snow White
ACTRESS 2 - Cinderella
ACTRESS 3 - Sleeping Beauty
ACTRESS 4 - Belle, The Little Mermaid, Rapunzel
(played by one actress)
ACTRESS 5 - Hua Mulan, Pocahontas, Princess Badroulbador
(played by one actress)
ACTRESS 6 - The One Who Kissed the Frog (African American)
These women are NOT damsels in distress! Nor are they the Disney
princesses! They are the original storybook princesses based on Grimm,
Perrault, de Villeneuve, historic accounts and legend with a healthy
dose of the modern-day, strong, independent woman mixed in.
SNOW WHITE: Brassy and ballsy, sassy and self-assured. She is
the leader of the Princess pack who likes to be in control. Equal
parts serious-minded, sexy, and fun-loving. With her skin as white
as snow and lips cherry red, she aspires to be perfect in all that
she does but soon realizes that being perfectly 'you' is more
CINDERELLA:Perky and quirky, a bit ditzy. She is always
enthusiastic – especially when it comes to being a real-life princess.
A happy-go-lucky girl who is about to discover that there's more to
being a princess than gowns and glass slippers.
SLEEPING BEAUTY: The perfect comic foil to Snow White's
perfect straight-man. Always the cut-up, she brings a flippant
unpredictability to the evening’s festivities. She's a comical
bull in a china shop. Some would prefer she fit into the stereotype
of a perfect princess but she'd rather break the mold and be
BELLE: A smart, witty French girl from classic lit driven
crazy by the misrepresentation of her image in pop culture. An
insane woman who finds herself speaking with inanimate objects and
cleaning up after her beast of a boyfriend.
HUA MULAN: Asian yet Americanized, strong yet gentle, shy yet
out-going. She is a walking dichotomy of masculinity and femininity
seeking self-acceptance in a world that would have her choose one or
THE LITTLE MERMAID: An innocent, obedient young woman turned
rebellious, jaded lush. She has given up everything she had just to
net a man – her father, her fin, even her voice. She can only move
forward with baby steps; one foot in front of the other.
POCAHONTAS: The ultimate exploited girl who is a bizarre blend
of the innocent little Powhatan tyke from history and the buxom babe
from today’s pop princess culture. Her journey takes her back to her
authentic, historically significant self.
RAPUNZEL: A rough-and-tumble German woman with a big mole on
her cheek and a bushy unibrow! American capitalism has turned this
frail, sheltered girl into a Mel Brooksian, Wagnerian singing monster
bent on getting her fair share.
PRINCESS BADROULBADOR: The spunky princess from the Middle
Eastern-South Asian Aladdin sagas. She’s had it up to her veils with
being secondary in her own tale. Unhappy with the misogyny and
oppression of women in her stories, she has a novel idea on how to fix
the problem. Look out, Aladdin!
THE ONE WHO KISSED THE FROG: Forgotten and left out of the
kingdom for many years, this empowered African-American woman has
now arrived on the scene as a feisty, fabulous storybook princess!
She is the ultimate supreme diva in the land and she’s ready to take
the show by storm.
For more information about the show, please visit: